Ava Seymour was born in Palmerston North in 1967. She attended Prahran College of Tafe, Melbourne in 1988.
Seymour left for Europe in 1989, eventually settling in Berlin where she was based for two years. Her early collages were produced in this period. In December 1994 Seymour returned home and had her first exhibition in New Zealand at Teststrip, Vulcan Lane, Auckland in 1995. Since this time Seymour has been exhibiting regularly.
Her iconic series Health, Happiness and Housing was her response to returning home and was first shown at Artspace, Auckland in 1997. Her work has been included in many significant shows such as Freedom Farmers, Auckland Art Gallery, Unnerved, The New Zealand Project, GOMA, Brisbane, National Gallery of Victoria, and Public / Private, The 2nd Auckland Triennial.
Seymour’s work is included in the collections of Auckland Art Gallery, Te Papa Tongarewa, National Gallery of Australia, National Gallery of Victoria and Queensland Art Gallery.
Ava Seymour lives and works in Auckland.
Visit Ava Seymour’s website: avaseymour.com
Did you say l’amour? Peter McLeavey Gallery, Wellington, New Zealand
Safe As Milk, Peter McLeavey Gallery, Wellington, New Zealand
Interaction of Colour, Peter McLeavey Gallery, Wellington, New Zealand
Slight Matters, Peter McLeavey Gallery, Wellington, New Zealand
Shift, Sue Crockford Gallery, Auckland, New Zealand
Compositions 2010, Sue Crockford Gallery, Auckland, New Zealand
Nocturne, Lopdell House Gallery, Titirangi, Auckland, New Zealand
Tree Songs, Peter McLeavey Gallery, Wellington, New Zealand
Corinthos, Peter McLeavey Gallery, Wellington, New Zealand
The New Order, Brooke Gifford Gallery, Christchurch, New Zealand
The White House Years, Michael Lett, Auckland, New Zealand
The White House Years, Peter McLeavey Gallery, Wellington, New Zealand
Hair Fondue, Michael Lett, Auckland, New Zealand
Three Panoramas, Peter McLeavey Gallery, Wellington, New Zealand
AK79, Michael Lett, Auckland, New Zealand
The Seven Deadly Sins, Peter McLeavey Gallery, Wellington, New Zealand
Heartlands, McNamara Gallery, Wanganui, New Zealand
Blood and Guts in Deutschland, Michael Lett, Auckland, New Zealand
Heartlands, Hocken Library, Dunedin, New Zealand
Heartlands, Anna Bibby Gallery, Auckland, New Zealand
Selective Retrospective, Hocken Library, Dunedin, New Zealand
I’m so Green, Sargeant Art Gallery, Wanganui, New Zealand
I’m so Green, Manawatu Art Gallery, Palmerston North, New Zealand
I’m so Green, Anna Bibby Gallery, Auckland, New Zealand
Health, Happiness and Housing, The Physics Room, Christchurch, New Zealand
Health, Happiness and Housing, Artspace, Auckland, New Zealand
Rubber Love, Blood and Guts in Deutschland, Dunedin Public Art Gallery, Dunedin, New Zealand
Homage to Otto, Fiat Lux, Auckland, New Zealand
Miss World, Teststrip, window, Auckland, New Zealand
Rubber Love, High Street Project, Christchurch, New Zealand
Raw Truth, Teststrip, Auckland, New Zealand
Rubber Love, Teststrip, Auckland, New Zealand
The Bill: For Collective Unconscious, Artspace, Auckland, New Zealand
Redlands Konica Minolta Art Prize, National Art School Gallery, Sydney, Australia
Supple Solids, Theresa, Maastricht, Netherlands
Cut + Paste: The Practice of Collage, The Dowse Art Museum, Wellington, New Zealand
A Delicate Balance – The Kauri Project, Te Uru, Auckland, New Zealand
Implicated and Immune, Michael Lett, Auckland, New Zealand
These are the good old days, Gloria Knight, Auckland, New Zealand
I Like Girls, Peter Mcleavey Pop Up Gallery, Wellington
Freedom Farmers, Auckland Art Gallery, Auckland, New Zealand
21st-Century Collecting, Adam Art Gallery, Victoria University, Wellington, New Zealand
In The Early 1990s, Peter McLeavey Gallery, Wellington, New Zealand
“See. Here. Now”, Peter McLeavey Gallery, Wellington, New Zealand
Then and Now, Te Manawa, Palmerston North, New Zealand
Tender is the Night, City Gallery, Wellington, New Zealand
Behind Closed Doors, Adam Art Gallery, Victoria University, Wellington, New Zealand
Prospect, City Gallery, Wellington, New Zealand
Play On, Adam Art Gallery, Victoria University, Wellington, New Zealand
Unnerved: The New Zealand Project, Gallery of Modern Art, Brisbane, Australia
Unnerved: The New Zealand Project, National Gallery of Victoria, Melbourne, Australia
From the Depths of Suburbia, Te Tuhi Centre for the Arts, Auckland, New Zealand
From the Depths of Suburbia, Griffith University Art Gallery Brisbane, Queensland, Australia
In Shifting Light, Auckland Art Gallery, Auckland, New Zealand
Noli Me Legere, Michael Lett, Auckland, New Zealand
Group Show, Michael Lett, Auckland, New Zealand
Collage Effect, 1301pe, Los Angeles, USA
Home Sweet Home, Dunedin Public Art Gallery, Dunedin, New Zealand
Small Town, Big World; Contemporary Art from Te Papa, City Gallery, Wellington, New Zealand
30th Anniversary Exhibition, Brooke Gifford Gallery, Christchurch, New Zealand
High Chair, St Paul Street Gallery, AUT, Auckland, New Zealand
IKI and thanks for all the IKA, National Museum of the Cook Islands, Rarotonga
IKI and thanks for all the IKA, Artspace, Auckland, New Zealand
Home Sweet Home, Academy Gallery, Tasmania, Australia
Public / Private, The 2nd Auckland Triennial, Auckland City Art Gallery, Auckland, New Zealand
Home Sweet Home, Plimsoll Gallery, Tasmania, Australia
Home Sweet Home, National Gallery of Australia, Canberra, Australia
What We Do Here, Peter McLeavey Gallery, Wellington, New Zealand
IKI and thanks for all the IKA, Contemporary Arts Centre, Vilnius, Lithuania
Portraiture: The Art of Social Commentary, Te Tuhi Centre for the Arts, Auckland, New Zealand
Several exceptionally good paintings, photographs and works on paper, Peter McLeavey Gallery, Wellington, New Zealand
After Killeen, Artspace, Auckland, New Zealand
Haunted House, Dunedin Public Art Gallery, Dunedin, New Zealand
In Glorious Dreams, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Looking Back, Peter McLeavey Gallery, Wellington, New Zealand
Wonderlands, Govett-Brewster Art Gallery, New Plymouth, New Zealand
olklore, Sargeant Gallery, Wanganui, New Zealand
Folklore, Artspace, Auckland, New Zealand
Wet Behind the Ears, Teststrip, Auckland, New Zealand
Chain Gang, Teststrip, Auckland, New Zealand
Sharp and Shiny, Govett-Brewster Art Gallery, New Plymouth, New Zealand
Laying it on Thick, Artspace, Auckland, New Zealand
Everyday Pathomimesis,, University of Canterbury, School of Fine Arts, Christchurch, New Zealand
150 Ways of Loving, Artspace, Auckland, New Zealand
Barton, Christina, “Draw a Straight Line and Follow It”. Play On (Catalogue), Adam Art Gallery, 2010, pp 23 - 25.
Bywater, Jon, The White House Years (Catalogue), 2007, Clouds Publishing
Byrant, Jan, Hopkinson, Sarah, ‘Noli Me Legere’, (catalogue), Michael Lett Publishing, pp 11 - 12
Dunn, Megan, ‘There is No Sheltering Sky’, Art New Zealand, Winter 2000, #95, pp 82 - 83
Gardiner, Sue, ‘Delicate balancing act’, Art News, New Zealand, Autumn 2010, p.74 - 75
Intra, Giovanni,(1995), ‘Everyday Pathomimesis’, exhibition catalogue, University of Canterbury, School of Fine Arts Gallery, Christchurch, 1997
Intra, Giovanni, ‘From Rubber With Love’. Midwest Ten, 1996, cover and pp 45 - 47
Leonard, Robert, ‘The End of Improvement: In Defence of Ava Seymour’, Art Asia Pacific, no.23, 1999, pp 54 - 59
Leonard, Robert, ‘Ava Seymour; I’m So Green’, Contemporary Visual Arts, no 29, February 2000, p.70
Auckland Art Gallery, Toi o Tamaki, Auckland, New Zealand
Auckland University, Auckland, New Zealand
Te Papa Tongarewa, Museum of New Zealand, Wellington, New Zealand
Victoria University, Wellington, New Zealand
National Gallery of Australia, Canberra, Australia
National Gallery of Victoria, Melbourne, Australia
Queensland Art Gallery, Brisbane, Australia
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